Orphan Black is the story of a woman who watches herself die.
Wait, that’s not quite it.
Orphan Black is the story of a mother struggling to connect with her child. Or is that two mothers? Or three? Four mothers? Two Children? Hm.
Orphan Black is the story of eight clones, living together, under one roof… No, wait, that’s also wrong.
Developed for television by Graeme Manson and John Fawcett and airing on BBC America in the US, and Space in Canada, Orphan Black explores questions of choice, identity, free will, technological progress and freedom and belief, in a setting and with a cast which make every beat intense and every conversation as terse, or endearing, or incredulously aware of itself as it needs to be. Orphan Black is a story that asks the question, “What would you do if you knew, in your heart, in your mind, in your very being, that you were unique, original, youâ€¦ and then found out that you weren’t quite as you as you thought you were?”
I recently got the opportunity to have a talk with head writer and co-showrunner Graeme Manson about the philosophical concepts, world events, and other wells from which he draws in order to craft the arc or Orphan Black‘s story. Why don’t we let him tell you what it’s all about: