We’re closing in on the end of this year’s 32 Days of Halloween, believe it or not. And for today, we begin with our #TrackoftheDay, “Inner Sanctum” by Charlie Spivak & His Orchestra with vocals by Irene Daye. A gorgeous song, thought I’ve never been able to tie it officially into the Inner Sanctum franchise. Thought it would make sense, since it came out in 1947, which is the right time period for it. And the subject matter fits.
So for our #TrackoftheDay, some context is in order. Recently I did state that some songs are chosen because of their association with Halloween as opposed to them being Halloweeny in their own right. A perfect example is “Fast as a Shark,” the 1982 metal anthem by German band, Accept. Befuddlement is in store if you just listen to it and don’t know why it’s been chosen. More on that in a moment.
While the George Romero Dead series is obviously near and dear to our hearts, let us not forget the John Russo side of the house–he who gave us the excellent, original Return of the Living Dead. Along those lines, we have the band Zombies! Organize!! and their track based on the film, “Trioxin.”
So there are a ton of instrumental songs whose tenuous connection to Halloween is only the title. However, tonight’s music pick from 1961, “Night of the Vampire” by The Moontrekkers, suffers no such problems. Listen for yourself.
Then we come to another episode of the old-time radio horror show, The Weird Circle. This episode, from 1943, is based on “The Fall of the House of Usher” by Poe. It’s story that may make even you feel better about your existing family relationships.
Lastly, we come to The Beast With Five Fingers from 1946. So, you know it’s never a good start when a horror movie features a not-well person who is talking about their will. Because where there’s a will, there are people who really to see it. And because this is a horror movie, prepared to die to get people out of their way for it. Enjoy.
First, we go to the band Baroness and their excellent double album, Yellow & Green. It’s “Board Up the House.” And working on a massive Halloween playlist over in Spotify has brought something important to light: just because a song has something Halloweeny-sounding in its title, doesn’t mean it’s a very Halloweeny song. So check the lyrics. For example, Matt Pond PA has a song called “Halloween.” It’s not very Halloween-y. Don’t get me wrong. It’s a damn good song.
So somebody might say the same about “Board Up the House.” It’s not overtly Halloweeny, no. But once you read the lyrics, there’s just this sinister undercurrent that gives me the heebie jeebies. Something’s going on in there, and it ain’t good. But the song sure is.
As we round the corner of a circle which leads toward the inevitable First Halloween of 2019, we pause for a musical interlude from 1937. It’s “With Her Head Tucked Underneath Her Arm” by Rudy Vallee & His Connecticut Yankees. You should know your English history, but just in case you don’t, the song sort of explains itself as it goes along.
Yes, if I was being menaced by Lon Chaney Jr’s disembodied, floating head, I’d probably pull a sword on it too. But more on that in a moment.
Tonight, we begin with a lovely ballad about the end of the world from The Misfits. This is “Hunting Humans,” from their 1999 album, Famous Monsters. What side is the singer/protagonist on? Who can say?
Today’s musical selection is from 1983: “Surf Bat” by 45 Grave. There are, of course, many great stories of how bands got their names. Their story is one of the best I’ve heard in quite a while. Don Bolles said in an interview over at Victim of Time that bandmate Paul Cutler had gotten him a gift at a thrift store. A giant button with a slogan on it.
It said “We Dig” and a huge number “45” and underneath it said “grave.” WE DIG 45 GRAVE. I said what? I’m just lookin’ at this thing like it’s this mystical object from space. We were laughing our asses off! ‘What the hell is this?’ … And I said, obviously this…obviously 45 Grave is now the name of our new band and this is obviously our 1st fan club button. And everyone said yes, of course, obviously.
So today we kick off with a #TrackoftheDay that’s mainly Halloweenish by association. Yes, you may recognize this song–it was covered by INXS for The Lost Boys. But “Good Times” originated back in 1968 with another Australian band, The Easybeats. Both versions have their merits, but for tonight, here’s the original.
Yes, before we get to our silent film featured tonight, our 32 Days of Halloween tram stops to check out this 1971 live performance of “Witch Queen of New Orleans” from Redbone. You might know them as the people who brought you “Come and Get Your Love” from Guardians of the Galaxy, but they have a lot more to offer. Enjoy this.