The Curmudgeon vs. The Multiplex: Movies of 2010

Inception top totem

For starters, I see a lot of movies. I love them. But I love seeing them in theaters with an audience who is experiencing the same sensory adventure I am. I think that is the way the medium works best.

Sadly, I have come to view the relationship with filmmakers as almost adversarial. This is because so many dreadful films have come out in the last five years that I don’t expect much from them in terms of consistency.

Thus when I sit in the dark and wait for the film to begin I expect to be wowed or entertained. I think that it is only fair for me to assume that if someone is making a film, they are at least competent enough to tell a story that draws me in while remaining visually interesting.

As a lover of cinema, I can appreciate a well-crafted work of art as much as a kicksplat orgy of action. However I do expect a movie to not insult my intelligence. Which, in today’s film culture, is asking for the impossible.

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13 Days of Xmas 2010, Day 9: Christmas Wrapping

Waitresses: Christmas Wrapping

When The Waitresses recorded “Christmas Wrapping” in New York on a scorching August day back in 1981, they had no idea that it would become an indelible part of Christmas pop music history.

Although The Waitresses were the brainchild of Chris Butler–who incorporated his love of various musical styles, including new wave, pop and jazz, into the band’s repertoire–it was the band’s first vocalist, Patty Donahue, who got them noticed. Donahue was a presence to be reckoned with. Her Bacall-like bravado mixed well with her rapid-style brand of talking/singing. Donahue was a take-no-prisoners front woman who had no problem speaking her mind or interjecting her own emotions onto the band’s records.

Although The Waitresses were primarily active in early 1980s, they remain affectionately timeless. This is largely due in part to the skillful fusion of Butler’s lyrics, some snazzy horns, tight percussion and Donahue’s raw energy, which manifested itself almost a decade and a half ahead of the riot grrl movement.

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Music Monday: Loretta Lynn, Diego and the Dissidents, & Grinderman

More music picks for your Monday. If you like what you hear, use the links provided to snag it for yourself from Amazon. Doing so through us gives us kickbacks, and those help pay for stuff like powered caffeine. And more music.

Loretta Lynn: Country Music Hall of Fame
Diego and the Dissidents: Contaminated Waters
Grinderman 2

Two tracks from Rob and one from me (Widge) this week. First up, we have Loretta Lynn and the most excellent title track from her second album, “You Ain’t Woman Enough (To Take My Man).” Basically, it’s same sort of posturing that happens in a lot of music…but this is a bit classier, methinks.
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